In December, Kazushi Ono conducted Brussels Philharmonic in Scriabin's Fifth Symphony , Prométhée – Le poème du feu , in a groundbreaking concert format integrating a light installation and video art by Iranian-German artist Nazanin Fakoor. The visionary composer scored the symphony to include a 'colour organ' that would reflect the 'colours' of the music, bringing sight and sound together in a synesthetic experience. Fakoor's site-specific light sculpture floated above the

Kazushi Ono conducts  Der fliegende Holländer at Hamburg State Opera this month, and later in the year,  Rusalka  at Opéra national de Paris and  Elektra  for New National Theatre, Tokyo. Beginning a year so full of opera, he tells us about his approach to balancing scores and remembers sneaking into a rehearsal of Carlos Kleiber Compared with studying symphonies, opera takes a lot of time to bring into one’s repertoire. I start the process not with the music, but reading th

Ahead of the new season at New National Theatre, Tokyo, Kazushi Ono discusses his programming, which includes the new production of...

In an interview ahead his new production of Boris Godunov at New National Theatre, Tokyo, director Mariusz Treliński discusses his work...

Kazushi Ono gives an interview about the new season at New National Theatre Tokyo

Brussels Philharmonic has welcomed the arrival of Kazushi Ono as Music Director with a fresh website and brand design

Kazushi Ono has renewed his contract as Music Director of Tokyo Metropolitan Symphony Orchestra

Kazushi Ono shares some of his guiding principles of conducting

Kazushi Ono joined scientists and players to test the best conditions for a safe return to orchestral playing